Festivals Are Better With Children
- Iman Amrani, a freelance writer and producer, took her one-year-old twins to multiple festivals — including Green Man in the Brecon Beacons — before their second birthday.
- The family attended Situation Dance, organised by Femi Koleoso of Ezra Collective, as well as the child-focused TOTFest, with Amrani reporting the experience exceeded her
- Amrani argues that critics who claim toddlers spoil festivals are wrong, contending that families add to rather than detract from the communal atmosphere of live music events.
A freelance writer and producer who took her one-year-old twins to a series of music festivals — including an overnight camp in the Brecon Beacons — argues that children do not diminish the festival experience but add to it, countering what she describes as a dismissive attitude among child-free festivalgoers.
A summer of live music with toddlers
Iman Amrani writes that the birth of her twins brought an abrupt end to the spontaneous social life she had previously known: travel, impulsive decisions and a busy calendar gave way to the demands of new parenthood. Friends, meanwhile, continued attending festivals without her. When her twins reached their first birthday and a settled routine had been established, she resolved to bring them along.
Before the children turned two, the family had attended Situation Dance, a day festival organised by Femi Koleoso of Ezra Collective, stayed overnight at Green Man in the Brecon Beacons, and visited TOTFest, a child-focused event. Amrani says the summer went better than she had anticipated.
Challenging the adult-only assumption
Amrani takes direct aim at those she calls "party poopers" — festivalgoers who maintain that toddlers spoil the atmosphere — arguing instead that families contribute to the communal spirit that defines these events. Her case is personal and anecdotal; she draws on her own experience rather than any broader evidence, and makes no claim to represent all parents facing similar choices.
The underlying argument is a challenge to an informal convention that music festivals are, by default, adult spaces. Whether that convention is as widespread as Amrani suggests is a matter of perspective, but her account of dancing at day events and camping in the Welsh hills with two small children offers a practical counterpoint — and a reminder that the composition of a festival crowd is rarely fixed.
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